A small village becomes the epicenter of a zombie outbreak, with nefarious forces exploiting the undead for their own dark purposes. As the stakes are raised, a dedicated doctor must uncover the cause of the plague and put an end to the nightmare.

The prime suspect is a reclusive woman who harbors a dark secret: she is the monstrous Gorgon, capable of turning men to stone with her gaze.

A man cursed to become a werewolf. As he attempts to find a cure for his condition and resist his uncontrollable urges.

A group of stranded individuals confront a menacing force on a remote island. As they struggle to survive, they uncover the horrific truth behind their predicament: an experimental breed of flesh-eating organisms.

A scientist remains the sole survivor of a disastrous plague that has turned humanity into vampire-like creatures. He struggles to find a cure and maintain his sanity in the face of an increasingly harsh world.

A marionette who gains wisdom through a series of misadventures that leads him to becoming a real human as reward for his good deeds.

Throughout film history, fictional monsters are constantly being rewritten to depict historically and culturally conditioned fears often generated by a shared sense of the unknown. The word “monster” derives from the Latin word monstrum and is related to the verb monstrare, meaning to show or reveal. Monsters are portents; they warn us about what’s to come while revealing what is already present. When there are no monsters, how do we imagine what fills the gap?