tinted venetian plaster, oil colour, was, hydrocal, foam, aluminum,
122 x 152.5 x 5 cm
tinted venetian plaster, oil colour, wax,
hydrocal, fibreglass, foam, aluminum,
117 x 162.5 x 5 cm
oil on linen on panel, 102 x 84 cm each
oil on linen on panel, 102 x 84 cm each
commercial painter's linen, weft partially removed - remaining warp spranged, gesso, gold leaf, unique handbuilt porcelain stanchion hardware
mixed wood, gold leaf and washi paper,
170 x 38 x 43 cm
found objects, ceramic tile, wax,
170 x 20 x 10 cm
tinted gesso and oil on board, 61 x 61 cm
oil on linen on panel,
61 x 61 cm
oil and encaustic on board, 61 x 61 cm
ceramic, bubinga, raku glaze,
dimensions variable
lime plaster, pigment and encaustic
on porcelain, 102 x 58.5 cm
lime plaster, pigment and encaustic
on porcelain, 102 x 58.5 cm
tinted gesso, india ink, acrylic media
and oil on linen and panel,
244 x 183 cm
tinted gesso, india ink, acrylic media
and oil on linen and panel,
244 x 183 cm
shagreen, epoxy, acrylic
and oil on panel,
58 x 28 cm
shagreen, epoxy, acrylic and
oil on panel,
58 x 28 cm
Venetian plaster and pigment on wall,
approx. 244 x 203 cm
Venetian plaster and pigment on wall,
approx. 244 x 203 cm
cotton thread, popcorn,
28 x 206 x 130 cm
coloured ground, acrylic and oil on linen,
163 x 152 cm
Beth Stuart
born in Saskatoon, Saskatchewan
BFA, Concordia University, Montreal
MFA, University of Guelph, Guelph
Selected Solo Exhibitions
≠: Sameer Farooq & Beth Stuart, Susan Hobbs Gallery, Toronto
about the exhibition
DAMMA Paintings V1: Dependent Origination, Susan Hobbs Gallery, Toronto
about the exhibition
Length, Breadth, Thickness and—Duration, The Power Plant, Toronto
Interlude, or intelligent tan, Anna Leonowens Gallery, Halifax
The Golem, her Lover, Battat Contemporary, Montréal
READ.PLAID.CLAD., Open Studio, Toronto
WARM.WORN.UNIFORM., Battat Contemporary, Montreal
Doubting Thomas, Esker Foundation, Calgary
LOUD.BROWN.SHROUD., Erin Stump Projects, Toronto
what bonds are these?, Latcham Gallery, Stouffville; La Centrale, Montreal
The Cliques, Erin Stump Projects, Toronto
two sticks in a shed, Battat Contemporary, Montreal
if not this, what?, BOARD OF DIRECTORS, Toronto
Braiding A Hole, MacDonald Stewart Art Centre, Guelph
Exquisite Stiff, Galerie VAV Gallery, Montreal
Selected Group Exhibitions
How Deep is your Love, Cooper Cole, Toronto
Singular poetry and other stories, Battat Contemporary, Montreal
Aujourd'hui Encore, Trepanier Baer, Calgary
Marie-Michelle Deschamps - Julie Favreau - Sophie Jodoin - Beth Stuart, Battat Contemporary, Montreal
There is no There, Hamilton Artists Inc, Hamilton
Rendering Emblems, LVL3 Gallery, Chicago
Painting Hamilton, Art Gallery of Hamilton, Hamilton
One, Two, and More Than Two, The Power Plant, Toronto
The Image in Question, Battat Contemporary, Montreal
The Painting Project, Galerie de l'UQAM, Montreal
The Painting Project, Galerie de l'UQAM, Montreal
RBC Canadian Painting Competition, Art Gallery of Alberta, Edmonton; The Power Plant, Toronto; Art Gallery of Hamilton, Hamilton
RBC Canadian Painting Competition, The Power Plant, Toronto; Dalhousie Art Gallery, Halifax; Art Gallery of Calgary, Calgary
Phoenix Art, Galerie Simon Blais, Montreal
1:15, Georgia Scherman Projects, Toronto
the end (ORANGEBROWN), Queensland University of Technology, Brisbane
Power Plant Pages No. 10: Beth Stuart
by Angie Keefer and Justine Kohleal; conversation with Lucy Lippard and Beth Stuart
(exhibition catalogue)
The Power Plant, 2020
Length, Breadth, Thickness and—Duration by Beth Stuart
by Daniella Sanader (review)
Peripheral Review, 22 January 2020
Lo Strappo
by Beth Stuart (essay)
Canadian Art, Fall 2019
Q + A with Artist Beth Stuart
by Kari Cwynar (interview)
Don River Valley Park, June 2019
A Bongard Problem
by Beth Stuart (text)
C magazine, Summer 2018
Cooper Cole, Toronto, How Deep is your Love
by Alex Bowron (review)
Esse, Winter 2018
Un solo d'envergure inédite pour Beth Stuart
by Marie-Ève Charron (review)
Le Devoir, 3 June 2017
Du théâtre entre la peinture et la sculpture
by Jérôme Delgado (review)
Le Devoir, 8 November 2004
Beth Stuart: Doubting Thomas
by Naomi Potter, Shauna Thompson, Jon Davies, Beth Stuart
(exhibition catalogue)
Esker Publications, Calgary, 2014
Micah Lexier: Making it Make itself
by Christina Ritchie (review)
Canadian Art, Fall 2013
The Image in Question
by James D. Campbell (review)
Magenta Magazine, Summer 2013
Beth Stuart: Rupture | Rapture | Raptor
by Gary Michael Dault (review)
Border Crossings, May 2013
visit (bordercrossingsmag.com)
The Painting Project
by Louise Dery, Jonathan Shaughnessy, et. al.
(exhibition catalogue)
La Galerie de l'UQAM, 2013
Bondage Unbound: Rupture and Suture, in the art of Beth Stuart
by James D. Campbell (review)
ETC., October 2012
Ideals of Painting
by Ann-Marie Ninacs (portfolio)
Esse, Autumn 2012
Double visions and scary dolls
by R.M. Vaughan (review)
The Globe and Mail, 22 October 2011
Immodest Modesty
by Robert Enright (review)
Border Crossings, March 2011
visit (bordercrossingsmag.com)
The Phoenix Art: Viewing Painting's Renewed Power
by staff (review)
canadianart.ca, 17 December 2009
Étincelles et enterrement de la peinture
by Jérôme Delgado (review)
Le Devoir, 18 December 2009